HERE THE LATEST REVIEW UPDATES OF THE SERIES CALLED SIX NATIONS: FULL CONTACT SEASON 1
In the news about latest Review updates of the series called Six Nations: Full Contact Season 1.
Which sport will be the subject of the upcoming high-end documentary? The team behind the engine-revving, helmet-throwing smash, Formula 1: Drive to Survive, has shifted its access-all-areas cameras to tennis (Break Point) and golf (Full Swing) following the game’s global success.
Table tennis, curling, croquet, and tiddlywinks might be the next big Netflix success. or perhaps in dressage. A little horsey disco is fun for everyone, right?
But first, Six Nations: Full Contact, a thick-necked, cauliflower-eared series about the 2023 Six Nations Championship, takes the turn of rugby union. It’s the oldest rugby competition in the world, and it’s full with intense rivalries, which mostly imply that everyone despises England. The game’s intense intensity and gladiatorial aspect should provide an engaging visual display.
Sadly, this repetitive eight-part series has the sense of a sports documentary based on statistics. The blueprint is by now well known. Seated in front of stark black backgrounds are talking heads. Each place is established using portentous subtitles and drone pictures.
Viewers are drawn into the action by the immersive sound design. The drama increases with pounding music and ticking clocks. Episodes like Let Battle Commence, On the Edge, Agony or Ecstasy, and This Is Really Quite Important You Know are titles that reflect the show’s formal tone. The last one is fictitious, but you get the point.
The show feels cluttered and shallow because of its choice to offer each of the six squads equal airtime over the course of two months. It often feels like an over-simplified, hopelessly antiquated match highlights package, along with the inherent issue of attempting to build suspense when we already know how it will end.
THERE ARE CURRENTLY NEW CAPTAINS FOR FIVE OF THE SIX TEAMS
Despite defecting to American football last week, jet-heeled Welsh winger Louis Rees-Zammit is rated highly. The Rugby World Cup’s build-up is discussed by the players. You remember, the one from last autumn?
It is not helpful to have too few vivid characters. Far too many people use boring sports metaphors. Warren Gatland of Wales may be the greatest coach of all time, but he comes across as a dejected dog on film. Steve Borthwick, the England manager, lacks personality even more.
These are men who belong in a tracksuit, not the spotlight. The environment lacks the grit of football and the glamour of motorsport. Not like in Drive to Survive or Break Point, when there are also no tears or tantrums. For that, rugby players are too phlegmatic. There are moments when it seems like a better story is being told off-camera.
Put those show ponies in the rear view mirror. The prop forwards offer the most value in this situation. The two most captivating individuals are Ellis Genge of England and Andrew Porter of Ireland.
Beneath the tattoos and Viking hair, Porter is a giant softie who opens up about his issues with mental health when his mother passed away. Genge talks about growing up in a difficult family and feeling alienated in the sport that was dominated by public schools.
Sebastian Negri, an Italian flanker, remembers being knocked out cold at the Six Nations the year before and beginning to choke on his own tongue. He believes that Genge saved his life on the pitch, an experience that strengthened their friendship.
Horrifying recollections of head injuries eliciting gasps demonstrate why rugby players suffer from concussions despite the fact that the matter is seldom brought up. Instead, Genge describes the footage as revelling in “bone-on-bone” clashes.
THE SHOW IS LESS ABOUT NEWS AND MORE ABOUT MOODS
They are, to be honest, quite positive vibes. It’s craic to the Irish. There’s lively sing-alongs among the Scots. Invigorating group discussions arouse emotions. The camaraderie is evident. There’s a lot of eating and iron pumping. It appears that massive, barrel-chested animals require a lot of energy.
There are pleasant bursts of comedy. “My nipples are rock hard,” remarks England full-back Freddie Steward as he exits a cryotherapy chamber. Unaware that his microphone is on, French centre Gaël Fickou, who comes across as a total dude, begs a cameraman to “zoom in on my biceps.” Kieran Crowley, the coach from Italy, jeffs and effs at industrial levels. He bellows that one training session “turned into a shit-fart.”
The French, ostentatiously living up to stereotypes, are more refined. They participate in squad mindfulness exercises. Fickou is a pianist. With his statement glasses and stylish outfits, Les Bleus’ coach Fabien Galthié talks of “arabesques and parabolas” and compares rugby to “virtuous combat, like Napoleon cutting across fields with his armies.”
That’s not something Big Sam Allardyce would give you. Extra entertainment value comes from defence coach Shaun Edwards’s Wigan-influenced Franglais accent.
The film Drive to Survive significantly raised F1’s profile. It seems unlikely that Full Contact will have a comparably revolutionary impact, in part because rugby’s regulations are so confusing to outsiders.
Fans may be satisfied with the newest sporting series to join the scrum, but few newcomers will be won over. Listen to me now, Netflix. Think of how slo-mo tiddlywinks would look in a movie.
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